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This cookie is used to enable payment on the website without storing any patment information on a server. This cookie is set by Stripe payment gateway. It does not correspond to any user ID in the web application and does not store any personally identifiable information. The cookie is used by cdn services like CloudFlare to identify individual clients behind a shared IP address and apply security settings on a per-client basis. These cookies ensure basic functionalities and security features of the website, anonymously. That, and the lack of basic things like masking, which, bar-none, ZBrush reigns.Necessary cookies are absolutely essential for the website to function properly. Perhaps the biggest reasons I don't do much of my texturing in Blender. Personally, I think MARI's a far better tool for both organic and inorganic surfaces.Īnd you're right again: Blender definitely has some severe limitations towards supporting high-poly models. You won't see too much things besides faces being painted with Polypaint. Useful for softer organic material like skin, but not ideal for much else. Just Google some images on Polypainted models-most examples will be of faces with a muted pastel sort of tone to the textures.
It's essentially vertex painting, which produces a rather muted effect on its colors. I like Polypaint, and ZBrush is a beast unmatched, but I just find Polypaint as a bit overrated. ZBrush handles high polygons very well-and they haven't even released their 64-bit version yet!īut still, I don't like having to add more polygons than necessary just to get a finer texturing resolution. You're right-you can get insanely-detailed textures.
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